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The Charles Anderson Bridge by ~ThimbleIsland:iconThimbleIsland:



One day I will go to her
          feet uprooted and covered in loam,
without my body
                              bloated
like it was in the spring
when she shivvered
          under my buckeye tree
and threw seeds at passing cars.

She used to think that she could see
          her shadow from that bridge
                    when I walked with her at 1am,
                    cast onto the
                    naked treetops
                    and the
                                        splitsecond reflection
                    of her flashlight
          against the cover of clouds
as she stood in her alcove,
inhaled the smell of boxwood and remembered
                                                 the taste of hot copper in her mouth,
                                                 the long-legged spiders
          that tread weightless
                    up her fingers
when she found them
on her grandmother's
                    sunbleached kitchen windowsill.
©2005-2009 ~ThimbleIsland
:iconthimbleisland:

Author's Comments

When I was on my way to work yesterday (2/04/05) I got a few of these lines running through my head. As soon as I got to the bus stop I wrote the rough draft of this poem, but something about it wasn't quite right, so I switched the point of view around. This is only the second draft.

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:iconprophetesscat:
This is good because when you're decribing it i can feel it and picture it like a child. impressive.
:icondeadcow7:
I like the strange rhythm crawling trough your poem like a long-legged spider, supporting the way the thoughts and memories become more and more visual and also more distanced from the actual action. The way this 2nd draft looks to me, it paints a window into the fantasies of a child, a strange view of the world -- not distorted -- but with its emphasis on the random details of life. The Bridge as a starting point to all human relationships.
Good work.

DeadCow
:icondiamondie:
I'm envious of your use of imagery. I like the style and the structure too, the formatting seems quirky at first but it works here. I think the first stanza of the poem could perhaps use one more line (probably just one and not more) after its current last line. I'd like to replace "spring" with a name of a month.

The ending line of the poem seems a bit complex to me, I'd like to reformat it somehow. "sunbleached windowsill in the kitchen" obviously doesn't work here, but could the word "kitchen" be ditched, even if it detracts from the precision of the image? The poem seems very heavy with pronouns, such as the part "She used to think that she could see / her shadow from that bridge", but it doesn't seem too bad. Perhaps it just enhances the atmosphere.
:iconthimbleisland:
Sometimes I feel like I have a lot of poems that are aligned down the lefthand side of the page without any variation, and I was trying something new. I'm not sure I'll keep it, as you make a good point regarding the oddness of it.

Thankyou so much for the idea for a specific instead of just "spring". I don't like not using specifics, and if anyone else had written that line, I probably would have said the exact same thing that you did ;)

As for the ending, you caught me: There is supposed to be more there, and I just haven't found it yet. I considered leaving that part out, with the spiders and the grandmother, but it was my favorite part when I re-read it, and yes, there ought to be a good two or three lines after this, at least.

If you could possibly believe it, I had more pronouns in there before. I took at least two out. I will take a look at that part, though, and think about how I could re-arrange it.

Thankyou!

--
Art is dead. Long live Dada. - Tristan Tzara
:iconthimbleisland:
You hit the nail right on the head, and I am very glad.

--
Art is dead. Long live Dada. - Tristan Tzara
:iconjustanotherfish:
for some reason, the formatting of the poem makes the "long legged spiders/that tread weightless" bit all that more effective. The rythym does convey a strange sort of creepiness to the poem. very nice
:iconxiooua:
I don't like the format, but as anyone can tell you, I've never liked it. Of course, I still think the poem is beautiful and packed with great imagery. I definitely agree that this stops sort of short, you do leave me with the impression that this should have more, but I did enjoy the last line. This is only your second draft though. I look forward to the third, should there be one, but I'm sure there will.

Like the title, too. =)
:iconnakedpoesy:
This is beautifully written. Your descriptions are familiar without being generic - well done.

--
Anticipate. Participate. Don't jump the gun.
:iconthewritt:
Hot copper = Blood ? Very nicety linesety.

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February 6, 2005
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